United States: Language. The Death Cure is a 2011 young adult dystopian science fiction novel written. Maze Runner star Dylan O'Brien was critically injured on. Running time 131 minutes Country United States Language English Budget $61 million Box office $312.3 million Maze Runner: The Scorch Trials (stylized onscreen simply as The Scorch Trials) is a 2015 American based on 's novel, the second novel in. The film is the to the 2014 film and the second installment in. It was directed by, with a screenplay. Adding to the original film's cast of,,,, Alexander Flores,, and, the new supporting cast includes,,,,,,, and. The plot of The Scorch Trials takes place immediately after the previous installment, with Thomas (O'Brien) and his fellow Gladers running away from the powerful World Catastrophe Killzone Department (W.C.K.D., or WICKED), while facing the perils of the Scorch, a desolate landscape filled with dangerous obstacles. Filming began in on October 27, 2014, and officially concluded on January 27, 2015. Maze Runner: The Scorch Trials was released in select international territories starting September 9, 2015 in 2D,, and, and was released on September 18, 2015 in the United States in 2D and Premium Large Format theaters,. It was originally set to be released in, but this was cancelled, as had all worldwide IMAX screens booked until the release of the film. The Scorch Trials received mixed reviews, with some critics calling it decent – commending its action sequences and performances – while others criticized the film for its lack of plot and character advancement. Like its predecessor, the film was a commercial success grossing $30.3 million on its opening weekend, making it the ninth-highest grossing debut in September. The film went to the number one spot at the box office during its opening weekend, and has grossed $312 million worldwide. The concluding entry, titled, is scheduled to be released on January 26, 2018. Contents • • • • • • • • • • • • • • • • • • • Plot [ ] The film begins with a young boy, Thomas, taken in by Ava Paige and troops from the organization WCKD, alongside other abandoned children, after being dropped off by his mother for his own safety. Years later, shortly after being rescued from the maze, Thomas and the remaining Gladers – Teresa Agnes, Newt, Minho, Frypan and Winston – are taken to a facility run by Mr. He explains that the facility is a safe haven, protecting them from WCKD, the Flare virus and the 'Cranks', and provides them clothes, food, and sanitation, where other survivors of multiple mazes are also present. Thomas becomes curious about their activities and manages to find out what is really happening behind the closed doors. With help from Aris, the first maze survivor to end up in the facility, Thomas finds that WCKD's leader, Ava, is still alive and that Mr. Questions and Answers board| The Maze Runner Wiki. Forum > Questions and Answers board Got a. ← You did not specify any title Loading editor. Post Preview. Find great deals on eBay for maze runner and maze runner series. Movie/TV Title see all Movie/TV Title. Runner Runner (298) The Maze Runner (238) Genre. Title: The Death Cure (The Maze Runner #3)., Suspense, The Maze Runner Series, Thriller, USA. The Death Cure (The Maze Runner #3) b. The Death Cure is a young-adult dystopian science-fiction novel and the third and final book in The Maze Runner Trilogy written by James Dashner. Janson is working for WCKD, as they discuss about the experiment on the Immunes and that Janson has yet to find the Right Arm, a resistance group located at the mountains. The group, including Aris, escapes the facility, as Janson orders his WCKD troops to track them down, where they find themselves in the deserted outside world - the Scorch. The group arrive at an abandoned marketplace, where they first encounter the Cranks, humans zombified by the Flare virus. In the process, Winston gets infected by one of them. When morning comes, they find the remains of the city in ruins and that WCKD is still searching for them. Winston's infection gets worse, forcing the rest of the group to leave him alone to die by shooting himself, preventing his transformation. The group continues to venture the desert until one night, while sleeping, Thomas wakes to discover a civilization off in the distance. As a thunderstorm emerges, they run to an abandoned facility to take shelter. Minho gets struck by the lightning on the way but survives. They manage to enter the place, only to find out that the facility was filled with chained Cranks. The group meets Brenda and Jorge, who lead a dangerous band of survivors and have used the Cranks as their own guard dogs. When the two find that the group had come from WCKD and is looking for the Right Arm, the two agree to take them to the Right Arm, abandoning their group of survivors. Moments later, WCKD, led by Janson, storms the place, only for the facility to be destroyed by Jorge's explosives, however, Thomas and Brenda are left behind as the rest have escaped with Jorge. Thomas and Brenda manage to escape the Cranks, only for Brenda to get infected by a Crank in the process. Thomas experiences a flashback of when he and Teresa were working for WCKD, in which Thomas tries to warn Teresa of WCKD's plans, only for the two to be separated by WCKD's troops. As Thomas and Brenda reunite with the rest of the group, Jorge interrogates Marcus, a survivor who secretly works for WCKD, into revealing the whereabouts of The Right Arm. The group eventually arrive at The Right Arm's relief camps, where other innocent survivors are present, and are greeted by Vince, who leads the Right Arm and is in charge of deciding whether they can stay or not. As Brenda's infection gets worse, Vince threatens to shoot Brenda, only to be stopped by Mary Cooper, a former WCKD scientist who reveals that Thomas was their informant. As Mary halts Brenda's infection using an enzyme cure, Mary explains that the enzyme can only be harvested from an Immune's body, not manufactured, and that arguments over the methods of manufacturing the cure with Ava led to Mary's departure from WCKD. That evening, Teresa calls WCKD of her location, believing that WCKD's motivations are good, leading to an ambush by WCKD. Ava and Janson arrive and confront the Right Arm before WCKD troops captures survivors for experimentation, including Minho, while Janson shoots Mary dead. After Thomas and the Right Arm fend the WCKD troops off, Ava, Janson and Teresa retreat with their captured survivors. With only a fraction of survivors left at the site, Thomas plans an infiltration into WCKD and is determined to take them down to save his friends and save civilization, as his friends and the Right Arm agree to help and prepare to fight back. • as Thomas • as Teresa • as Newt • as Frypan • as Harriet • as Jorge • Alexander Flores as Winston • as Janson • as Minho • as Aris • as Vince • as Brenda • as Mary Cooper • as Marcus (credited as 'Blondie') • as Ava Paige Production [ ] Pre-production [ ] On October 13, 2013, almost a year before The Maze Runner's release, it was reported that had started work on The Scorch Trials. It was revealed that – who had recently worked on the – would adapt Maze Runner: The Scorch Trials, taking over from, with returning director Wes Ball supervising Nowlin's script. The early development of Maze Runner: The Scorch Trials suggested to many that Fox was confident in the potential success of The Maze Runner. On November 19, 2014, was confirmed to return to score the film. Creature designer Ken Barthelmey returned to design the 'Cranks' for the film. Casting [ ] On September 26, 2014, was cast as Janson, also known as Rat-Man. On September 30, 2014, Rosa Salazar signed on to the cast as Brenda. Within the next few days, star and joined the cast, playing Aris Jones and Jorge, respectively. Was cast as Harriet, co-leader of Group B, on October 22, 2014, and as the other co-leader on December 22. On November 3, 2014, there were two additions to the cast, with as Mary Cooper, a 'doctor who helps Thomas and the Gladers', and as Vince, 'a survivalist who is one of the last remaining soldiers of a legendary unit called the Right Arm'. Filming [ ] On July 25, 2014, Ball announced at that the studio wanted to start shooting in fall 2014, should its predecessor become a success when it hit theaters. On August 31, 2014, Ball announced they were 'about nine weeks out from shooting'. He also revealed 'we are in New Mexico right now. We’ve got a crew and stages. We are rapidly approaching our shoot time. The sets are being built. A lot of the same crew is coming back. Most of the cast is coming back, except for the ones who were killed [in the first film]. The script is really coming along'. A week later, Ball told that 'we’ve got stages, we’ve got crews coming in, Dylan [O’Brien] will be back in a few weeks, we’re building sets, and the script is being written. It’s a bit of a race this time because we’re cautiously optimistic, but we’re feeling excited we’re about to do something that’s way more sophisticated, way more grown up, and really set up a saga here.' Commenced on October 27, 2014 in and around. Filming finished on January 27, 2015, lasting 94 days. Soundtrack [ ] Composed by, the soundtrack was released on September 11, 2015. Release [ ] On August 31, 2014, Ball revealed he is hoping 'the movie will be out in about a year'. On September 21, 2014, it was announced the film would be released on September 18, 2015 in the United States. The film was released in 's multi-screen immersive movie format in across 25 countries with approximately 20 minutes of the film converted into the format. It was also released in the format in in North America. Marketing [ ]. The cast and crew of Maze Runner: The Scorch Trials at the 2015. At 2014, Ball released the first piece of concept art for the film. Six stills were released on March 11, 2015. The first official trailer was released on April 23, 2015, at 's CinemaCon. However, it was not released online at the same time, but the 1 minute and 44 second teaser trailer premiered before in May 2015. The trailer was released publicly on May 19, 2015. On July 10, 2015, a 30-minute sneak peek was screened at San Diego Comic Con International, with Ball, Dashner, and O'Brien also at the screening. Home media [ ] The Scorch Trials was released on and on December 15, 2015. Reception [ ] Box office [ ] As of January 4, 2016, Maze Runner: The Scorch Trials has grossed $81.7 million in North America and $230.6 million in other territories for a worldwide total of $312.3 million, against a budget of $61 million. North America [ ] In the United States and Canada, the film opened simultaneously with the crime films and. Preliminary reports predicted the film to open with takings of around $34–36 million. It made $1.7 million from its late night screenings—55% ahead of the first film's $1.1 million—from 2,900 theaters and an estimated $11 million on its opening day, which is lower than its predecessor's opening day. It finished off the weekend with $30.3 million from 3,796 theaters which is lower than its predecessor's $32.5 million (-7%) opening in 2014. Nevertheless, the film opened at No. 1 at the box office ahead of its competitor Black Mass. Premium large formats comprised $2.75 million (9%) of the opening gross from 270 PLF screens, while Cinemark XD contributed $825,000 of that figure in 87 screens. The film relied on younger audiences, with 65 percent of the audience under the age of 25 and females making up 53 percent ticket buyers. Also noteworthy was that Fox didn't have the IMAX screens like it did with the first installment, as they were all devoted to which was getting a week-long 'sneak preview' release in IMAX and large-format screens. But they did have 270 PLF screens, which made up 9% of the overall gross. Reported that Fox was nevertheless happy about the result. The franchise follows a similar trajectory to which dipped slightly from its ($54.6 million) to ($52.2 million). Still, both the movies prove 'the consistency of the young-adult audience,' says Paul Dergarabedian, Rentrak's senior analyst. 'They're not growing at a huge rate, but we're also not seeing a massive drop-off.' In its second weekend, the film fell by 53% to $14 million slipping in third place behind ($47.5 million) and ($18.2 million). In comparison, The Maze Runner dropped 46% in its second weekend earning $17.4 million in 2014. The Scorch Trails 's 10-day gross stood af $51.69 million in relation to its predecessor's $57.9 million 10-day. Outside North America [ ] Internationally, The Scorch Trials was released in a total of 76 countries. It was released overseas a week before it opened in the U.S., and earned $26.7 million in its opening weekend from 21 markets in 5,586 screens and in all markets, outperforming its predecessor. It debuted at second place at the international box office, behind. In its second weekend, it expanded to 41 additional markets and earned a total of $43.2 million from 12,699 screens in 66 markets, opening at No. 1 in 34 of the 41 markets as well as topping the international box office charts. In South Korea, it had the biggest opening for Fox of 2015 with $7.2 million from 804 screens. That's 41% higher than its predecessor's opening. France posted the highest opening for the film with $8.5 million followed by South Korea ($7.2 million) Russia and the CIS ($5.2 million), the United Kingdom, Ireland and Malta ($4.9 million), and Mexico ($4.4 million). In terms of total earning, its largest market outside of the U.S. Are France ($25 million), South Korea ($19 million) and the United Kingdom ($13.2 million). It opened in China—its last market—on November 4 and grossed an estimated $19.77 million on 4,945 screens in its five opening weekend ($14.6 million over three days) which is 60% above its predecessor's opening. It has grossed a total of $29.5 million in China making it the biggest market for the film, followed by France ($25.3 million) and South Korea ($19 million). Critical response [ ] Maze Runner: The Scorch Trials received mixed reviews from critics. On review aggregator, the film has a rating of 46%, based on 136 reviews, with an average rating of 5.4/10. The site's critical consensus states, ' Maze Runner: The Scorch Trials is an action-packed sequel at the cost of story, urgency, and mystery that the original offered.' Gives the film a score of 43 out of 100, based on 29 critics, indicating 'mixed or average reviews'. Audiences surveyed by gave the film a grade of 'B+' on an A+ to F scale. The main criticisms of the film were its narrative, particularly its changes from the source material, and lack of character development. Said the film suffered from 'middle movie syndrome', claiming that it did not offer an introduction nor a finale. Stated that, 'it doesn’t offer much plot or character development'. Stephen Kelly of said, ' Scorch Trials ambitiously opens up its world with mixed results: gripping action, so-so script.' Walter Addiego of the said, 'there’s lots of eye candy, and the pace is fast, but somehow the movie falls short.' However, some critics considered it to be an improvement over its predecessor, highlighting its action sequences and performances. John Williams of wrote, 'the many chases and ludicrous narrow escapes offer respectable doses of adrenaline', and Brian Truitt of said, ' Maze Runner 's action, suspense and twists give movie fans of all ages a chance to embrace their inner on-the-run teenager.' Rafer Guzman of said, 'the teen dystopian franchise continues to play rough, and now even rougher, with satisfying results.' Bilge Ebiri of said 'essentially, The Scorch Trials makes up for the humdrum Apocalypse of its first half by going a little bonkers in its second.' Accolades [ ] List of awards and nominations Year Award Category Recipients Result 2016 Favorite Action Movie Maze Runner: The Scorch Trials Nominated Favorite Sci-Fi/Fantasy Movie Nominated Nominated Choice Movie Actor: Action/Adventure Won Choice Movie Actress: Action/Adventure Nominated Choice Movie Chemistry Dylan O'Brien & Won Nominated Sequel [ ]. Main article: In March 2015, it was confirmed that Nowlin, who co-wrote the first and wrote the second film, has been set to adapt the third book,. Ball confirmed that, if he returns to direct, the film will not be. On July 9, 2015, it was revealed that filming is set to begin in February 2016. On September 16, 2015, it was confirmed that Ball would return to direct the third film. Filming was scheduled to start in,, on March 14, 2016. Following lead 's severe accident on set, it was later rescheduled to film between March and June 2017 in for a January 26, 2018 release. References [ ] • The plot description was copied from at the Maze Runner Wiki, which is licensed under the. • Barker, Andrew (September 7, 2015)... Retrieved November 11, 2016. November 19, 2014. Retrieved November 25, 2014. September 4, 2015. Retrieved September 4, 2015. • Pamela McClintock (September 16, 2015)... Retrieved September 16, 2015. Retrieved January 10, 2016. • Mike Fleming Jr (October 13, 2013)... Retrieved September 1, 2014. • Andrew Sims (October 13, 2013).. Retrieved September 1, 2014. • Sophie Kieffer (November 1, 2014).. Retrieved November 4, 2014. • ^ Borys Kit (September 26, 2014)... Retrieved September 30, 2014. • Borys Kit (September 30, 2014)... Retrieved September 30, 2014. • Borys Kit (October 1, 2014)... Retrieved October 3, 2014. • Emily Blake (October 2, 2014)... Retrieved October 3, 2014. • Borys Kit (October 22, 2014)... Retrieved October 23, 2014. • The Deadline Team (December 22, 2014)... Retrieved December 23, 2014. • Jen Yamato (November 3, 2014)... Retrieved November 4, 2014. • Borys Kit (November 3, 2014)... Retrieved November 4, 2014. • Peter Sciretta (July 25, 2014).. Retrieved September 1, 2014. • ^ Ruben V Nepales (August 31, 2014).. Retrieved September 1, 2014. • Jarett Wieselman (September 4, 2014)... Retrieved September 6, 2014. • Maze Runner Official Twitter (October 27, 2014)... Retrieved October 27, 2014. • Adrian Gomez (October 23, 2014).. January 27, 2015. Archived from on January 30, 2015. Retrieved January 27, 2015. • Brook Wentz (January 29, 2015).. Retrieved January 29, 2015. Retrieved September 10, 2015. • James Dashner (September 21, 2014)... Retrieved September 25, 2014. • Dave McNarry (April 21, 2015)... Retrieved April 22, 2015. • Carolyn Giardina (November 16, 2015)... Retrieved November 17, 2015. • Ethan Anderton (July 25, 2014).. Retrieved September 1, 2014. • Alynda Wheat (March 11, 2015)... Retrieved March 11, 2015. • Anothny Breznican (March 10, 2015)... Retrieved March 11, 2015. • Shaunna Murphy (April 23, 2015)... Retrieved May 6, 2015. • Brooke Wentz (May 6, 2015).. Retrieved May 6, 2015. • 20th Century Fox (May 19, 2015)... Retrieved May 19, 2015. • The Maze Runner UK (May 18, 2015)... Retrieved May 18, 2015. Retrieved November 14, 2015. • Anita Busch and Nancy Tartaglione (September 15, 2015)... Retrieved September 17, 2015. • Brad Brevet (September 17, 2015)... Retrieved September 20, 2015. • Anthony D'Alessandro (September 18, 2015)... Retrieved September 18, 2015. • Pamela McClintock (September 18, 2015)... Retrieved September 18, 2015. • Anthony D'Alessandro (September 19, 2015)... Retrieved September 20, 2015. • ^ Pamela McClintock (September 20, 2015)... Retrieved September 20, 2015. • ^ Anthony D'Alessandro (September 20, 2015)... Retrieved September 20, 2015. • Scott Mendelson (September 20, 2015)... Retrieved September 20, 2015. • ^ Patrick Ryan (September 20, 2015)... Retrieved September 20, 2015. • Scott Mendelson (September 27, 2015)... Retrieved September 27, 2015. • ^ Nancy Tartaglione (October 12, 2015)... Retrieved October 13, 2015. • Nancy Tartaglione (September 14, 2015)... Retrieved September 15, 2015. • ^ Nancy Tartaglione (September 21, 2015)... Retrieved September 22, 2015. • Anita Busch (September 27, 2015)... Retrieved September 28, 2015. Retrieved March 23, 2016. • Patrick Brzeski (October 19, 2015)... Retrieved October 20, 2015. • Nancy Tartaglione (9 November 2015)... Retrieved 11 November 2015. • Patrick Brzeski (November 11, 2015)... Retrieved November 11, 2015. Rotten Tomatoes. Retrieved January 17, 2018. Retrieved September 17, 2015. Retrieved September 18, 2015. Retrieved September 18, 2015. Retrieved September 18, 2015. Retrieved September 18, 2015. Retrieved September 19, 2015. Retrieved September 19, 2015. Retrieved September 18, 2015. Retrieved September 19, 2015. Retrieved September 19, 2015. Retrieved September 19, 2015. Retrieved September 19, 2015. Retrieved September 19, 2015. 6 January 2016. Retrieved 7 January 2016. July 31, 2016. • Busch, Anita (March 4, 2015)... Retrieved March 10, 2015. • Peter Sciretta (October 9, 2014).. Retrieved October 24, 2014. • ClevverTV (July 9, 2015)... Retrieved July 10, 2015. • McNary, Dave; Chi, Paul (September 16, 2015)... Retrieved September 17, 2015. • Anita Busch (August 29, 2016).. Retrieved August 30, 2016. • Ian Bailey (September 4, 2016).. The Globe and Mail. Retrieved September 5, 2016. • Anthony D'Alessandro (April 22, 2017).. Retrieved April 23, 2017. • Dave, McNary (August 25, 2017).. Retrieved August 26, 2017. External links [ ] • • on • at • at • at • on.
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Jul 19, 2017 Proud Mary Trailer #1 (2018): Check out the new trailer starring Taraji P. Henson, Neal McDonough, and Danny Glover! Be the first to watch, comment, and. Watch the Proud Mary (2018) movie trailer. Directed by Babak Najafi and starring Neal McDonough, Taraji P. Henson, Danny Glover and Xander Berkeley. Watch the video, get the download or listen to Creedence Clearwater Revival – Proud Mary for free. Proud Mary appears on the album Platinum. 'Proud Mary' is a. Just as working with older directors like Mihalis Kakogiannis on The Cherry Orchard (1999) and Robert M. Young on Human Error (2004) (aka 'Human Error') brought insights to ways of working that are being lost in pop cultures tendency to slide toward slickness. Not to mention bringing him to places like Bulgaria and China along the way. Perhaps because a life in the foreign services, or espionage was seen as a road not taken, living on location in foreign countries, working as an actor, has somewhat fulfilled the impulse. As early as 1987, a film took Xander to Nicaragua while the Contra War was taking place. It was during this three month shoot on the film Walker (1987) (starring Ed Harris) that Xander got an offer to do a film with his friend, director Jon Hess, in Chile for the following three months. Taking him straight from the revolutionary left-wing Sandanistas to Pinochet's fascist, right-wing regime. In 2001, an offer came in to play a part on a TV pilot called 24 (2001). It was another shady agent-type, and reluctant to repeat his performance from Air Force One (1997) as the turncoat secret serviceman, Xander almost passed on the job. Fortunately for him, he said yes. He met his future wife, Sarah Clarke during the first day of filming. His character, 'George Mason', was just a guest star in the pilot, but the producers liked what Xander brought to it and continued to write more episodes for him. By the second season, it had become perhaps the most interesting, leveled character Xander had ever gotten to play. Sarah and Xander were married in 2002 and had their daughters, Olwyn in 2006 and Rowan in 2010. Other favorite roles of late have been 'Arlen Pavich', the middle management dweeb, in Niki Caro's North Country (2005), and the Irish hooligan/railway foreman in David Von Ancken's Seraphim Falls (2006) and, more recently, 'The King of Sodom' in Harold Ramis' Year One (2009), 'Sonny' in David Pomes' Cook County (2009), the recovering meth head coming out of prison to discover the life he had left (and destroyed), and crazy 'Uncle Doug' in David Wike's Out There (2006) (aka 'Out There'). Actor, producer and humanitarian Danny Glover has been a commanding presence on screen, stage and television for more than 25 years. Glover was born in San Francisco, California, to Carrie (Hunley) and James Glover, postal workers who were also active in civil rights. Glover trained at the Black Actors' Workshop of the American Conservatory Theater. It was his Broadway debut in Fugard's Master Harold.and the Boys, which brought him to national recognition and led director Robert Benton to cast Glover in his first leading role in 1984's Oscar®-nominated Best Picture Places in the Heart. The following year, Glover starred in two more Best Picture nominees: Peter Weir's Witness and Steven Spielberg's The Color Purple. In 1987, Glover partnered with Mel Gibson in the first Lethal Weapon film and went on to star in three hugely successful Lethal Weapon sequels. Glover has also invested his talents in more personal projects, including the award-winning To Sleep With Anger, which he executive produced and for which he won an Independent Spirit Award for Best Actor; Bopha!; Manderlay; Missing in America; and the film version of Athol Fugard's play Boesman and Lena. On the small screen, Glover won an Image Award and a Cable ACE Award and earned an Emmy nomination for his performance in the title role of the HBO movie Mandela. He has also received Emmy nominations for his work in the acclaimed miniseries Lonesome Dove and the telefilm Freedom Song. As a director, he earned a Daytime Emmy nomination for Showtime's Just a Dream. Glover's film credits range from the blockbuster Lethal Weapon franchise to smaller independent features, some of which Glover also produced. He co-starred in the critically acclaimed feature Dreamgirls directed by Bill Condon and in Po' Boy's Game for director Clement Virgo. He appeared in the hit feature Shooter for director Antoine Fuqua, Honeydripper for director John Sayles, and Be Kind, Rewind for director Michel Gondry. Glover has also gained respect for his wide-reaching community activism and philanthropic efforts, with a particular emphasis on advocacy for economic justice, and access to health care and education programs in the United States and Africa. For these efforts, Glover received a 2006 DGA Honor. Internationally, Glover has served as a Goodwill Ambassador for the United Nations Development Program from 1998-2004, focusing on issues of poverty, disease, and economic development in Africa, Latin America, and the Caribbean, and serves as UNICEF Ambassador. In 2005, Glover co-founded Louverture Films dedicated to the development and production of films of historical relevance, social purpose, commercial value and artistic integrity. The New York based company has a slate of progressive features and documentaries including Trouble the Water, which won the Grand Jury Prize at the 2008 Sundance Film Festival, Africa Unite, award winning feature Bamako, and most recent projects Uncle Boonmee Who Can Recall His Past Lives, and The Disappearance of McKinley Nolan. Neal McDonough was born on February 13, 1966 in Dorchester, Massachusetts, to Catherine (Bushe) and Frank McDonough, motel owners who were born in Ireland. He grew up in Barnstable, Massachusetts, graduated from Barnstable High School, and attended Syracuse University. He was a member of the Sigma Chi Fraternity and graduated with a Bachelor's degree in Fine Arts in 1988. McDonough frequently appeared as Captain Laser, inspiring young students to bring their studies to completion. Fron there, he trained for a short time at the London Academy of Music and Dramatic Art. McDonough has made many television and film appearances since 1991, including Star Trek: First Contact (1996), Minority Report (2002), Timeline (2003), Walking Tall (2004), The Guardian (2006) and Flags of our Fathers (2006). His most recent television appearances include Band of Brothers (2001), Boomtown (2002) Desperate Housewives (2004), Medical Investigation (2004), Tin Man (2007) and Justified (2010). Neal's most prized accomplishment is his wife Ruve, whom he married in 2003. They live in Los Angeles, California with their four children. BUY TICKETS NOW Release date:January 12, 2018 Studio:Screen Gems (Sony) Director: Babak Najafi MPAA Rating: R (for violence) Screenwriters: John Stuart Newman, Christian Swegal, Steven Antin Starring: Taraji P. Henson, Billy Brown, Jahi Di’Allo Winston, Neal McDonough, Margaret Avery, Xander Berkeley, Danny Glover Genre: Plot Summary: Taraji P. Henson is Mary, a hit woman working for an organized crime family in Boston, whose life is completely turned around when she meets a young boy whose path she crosses when a professional hit goes bad. Download Film Maze Runner 3: The Death Cure (2018) Subtitle Indonesia Maze Runner 3: The Death Cure atau Maze Runner III ini adalah merupakan sebuah film Action-Sci-Fi-Thriller terbaru hollywood 2018 yang sudah ditunggu-tunggu oleh pecinta film hollywood sejak tahun 2015 lalu. Film Maze Runner 3: Death Cure (2018) ini adalah merupakan sekuel dari film sebelumnya karya James Dashner yang berjudul Maze Runner: The Scorch Trials. Cerita dari Film ini di ambil dari sebuah novel yang berjudul Film Maze Runner The Death Cure. Film ini disutradarai oleh Wes Ball dan berada dibawah arahan rumah produksi 20th Century Fox Corporation. Dan bekerja sama dengan Gotham Group dan Temple Hill Entertainment. Sedangkan Naskah skenario Maze Runner 3: The Death Cure Movie ini ditulis oleh T.S Nowlin yang diadaptasi dari sebuah novel. Adapun para pemain film yang akan turut membintangi film maze runner ini adalah Dylan O’Brien berperan sebagai Thomas, Thomas Brodie-Sangster berperan sebagai Newt, Ki Hong Lee berperan sebagai Minho, Kaya Scodelario berperan sebagai Teresa Agnes, Dexter Daden berperan sebagai Frypan dan Rosa Salazar berperan sebagai Brenda. Film The Maze Runner 3 ini akan menjadi sebuah film yang sangat dinanti dan dimnati karena kabarnya Film Maze Runner: The Death Cure ini hanya akan dibuat menjadi satu film. Tidak seperti dalam film The Hunger Games dan Harry Potter. Sutradaranya, Wes Ball sudah memberikan kode bahwa film Maze Runner: The Deatch Cure akan menjadi film seri dan film Maze Runner menjadi yang ketiga dan yang terakhir pula. Inti Cerita Film Maze Runner 3 ini yaitu berceritakan tentang kisah perjuangan seorang Thomas dan kawan-kawannya agar menemukan penawar obat dari flare. Bisakah mereka semua mendapatkan dan menyembuhkan penyakit berbahaya tesebut? Tonton Maze Runner 3: The Death Cure Film 2018 ini di bioskop kesayangan anda yang akan dirilis pada tanggal 12 Januari (2018). Film Maze Runner: The Death Cure berceritakan sebuah kisah perjalanan Thomas dan teman-temannya yang mencoba lari dari sebuah ancaman virus berbahaya yang sangat mematikan yang mana virus itu sering disebut dengan nama flare. Mereka mencari-cari obat penawar untuk memberantas penyakit berbahaya itu. Δείτε τη ταινία Maze Runner 3: The Death Cure (2018) online με Ελληνικούς υπότιτλους (Greek subs) στο Tainies Online (Online. Jan 18, 2018 This feature is not available right now. Please try again later. Akan tetapi, untuk memperoleh penawar dari virus itu diperlukan perjalanan yang sangat rumit dan menyeramkan hingga nyaris saja membuat putus asa seoarang Thomas dan kawan-kawannya. Detail Maze Runner 3: The Death Cure (2018) Crew: Genre Film / Jenis Film: Action, Sci-Fi, Thriller Sutradara Film: Wes Ball Rumah Produksi: Gotham Group, Twentieth Century Fox Film Corporation, Temple Hill Entertainment Penulis Novel: James Dashner Penulis Naskah Film: T.S. Durasi Film: 90 Menit (perkiraan) Tanggal Rilis / Tayang: 12 Januari (2018) Bahasa: English (US) Negara: Amerika Serikat Pemain / Pemeran Film Maze Runner 3: The Death Cure ( 2018 ) Cast: Thomas diperankan oleh Dylan O’Brien Minho diperankan oleh Ki Hong Lee Newt diperankan oleh Thomas Brodie-Sangster Teresa Agnes diperankan oleh Kaya Scodelario Brenda diperankan oleh Rosa Salazar Frypan diperankan oleh Dexter Darden Maze Runner 3: The Death Cure Movie Trailer. | Bagi yang Tidak Bisa Mengakses Link OLOAD.TV atau OPENLOAD.CO, Silahkan Ubah/Ganti Link Tersebut Menjadi OLOAD.STREAM atau OLOAD.INFO - TerimaKasih ? Incoming search terms: • download film the maze runner 3 subtitle indonesia • the maze runner 3 full movie subtitle indonesia • the maze runner 3 sub indo • download film maze runner 3 subtitle indonesia • download film maze runner 3 full movie • download film maze runner 3 sub indo • download the maze runner 3 sub indo • download film the maze runner 3 sub indo • download film maze runner 3 • download maze runner 3 Category:,. The director The director of the next part of the fantastic trilogy will be Wes Ball. Recall that originally 20th Century Fox planned to invite Catherine Hardwicke, who put “Twilight,” but the negotiations were unsuccessful. After some hesitation, the management of Fox decided that the shooting of the “Runner” could be entrusted to Wes Ball and, in general, did not fail. Before the filming began, Ball could not boast of a resume that included feature films. Along with that, he cannot be called a Hollywood novice: he has been engaged in computer graphics for DVD and Blu-ray editions for almost a decade, and he also designed the so-called “featurette” HBO tele blockbuster, that is, documentaries on how films and serials were filmed. This experience, of course, is valuable for the production of pictures, which are designed to impress the imagination with large-scale action scenes. Plot According to The Maze Runner 3 The Death Cure teaser trailer, the plot of the trilogy unfolds around a teenager named Thomas, who enters the Glade, surrounded by a mysterious and deadly Labyrinth. Glade is inhabited by almost six dozen teenagers who, like Thomas, do not remember anything of their past. The only knowledge that is available to them is their name. The guys have established a life in Glade and created a team of runners who are exploring the Labyrinth every day in order to find a way out of it. It is not easy to understand the intricacies of space around Glade; the matter is complicated by the fact that you can be there only in the daytime. With the nightfall, the Labyrinth is filled with deadly creatures, killing anyone who did not have time to get home before the Doors are closed. Thomas managed to prove himself as an excellent runner and found his place in the team. But every night he is troubled by strange visions. Release date The movie is scheduled to be released on February 9, 2018, in the United States. A new The Maze Runner 3 The Death Cure official trailer 2018 looks great. We hope the movie will be the same. The Passenger (re-release) movie reviews & Metacritic score: Originally released in 1975, The Passenger is, on the simplest level, a suspense story about a m. Get Tickets - Starring: Jennifer Lawrence, Chris Pratt, Michael Sheen Passengers Official Trailer 1 (2016) - Jennifer Lawrence Movie A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early. Subscribe to TRAILERS: Subscribe to COMING SOON: We're on SNAPCHAT: Like us on FACEBOOK: Follow us on TWITTER: The Fandango MOVIECLIPS Trailers channel is your destination for the hottest new trailers the second they drop. Passengers: On a routine journey through space to a new home, two passengers, sleeping in suspended animation, are awakened 90 years too early. Francis Durbridge Presents (Volume 2) - 5-DVD Box Set ( Bat Out of Hell / The Passenger / The Doll / Breakaway: The Family Affair / Breakaway: The Loc. Whether it's the latest studio release, an indie horror flick, an evocative documentary, or that new RomCom you've been waiting for, the Fandango MOVIECLIPS team is here day and night to make sure all the best new movie trailers are here for you the moment they're released. In addition to being the #1 Movie Trailers Channel on YouTube, we deliver amazing and engaging original videos each week. Watch our exclusive Ultimate Trailers, Showdowns, Instant Trailer Reviews, Monthly MashUps, Movie News, and so much more to keep you in the know. Here at Fandango MOVIECLIPS, we love movies as much as you! The mutual admiration between actor Jack Nicholson and director Michelangelo Antonioni resulted in the psychological drama The Passenger. Nicholson plays David Locke, a disillusioned American reporter who is sent on a grueling mission to North Africa. When he stumbles across the body of a dead man, Locke, long desirous of starting life over again, assumes the corpse's identity. He soon discovers that the man he's pretending to be is involved in gun running on behalf of a terrorist group. Making the acquaintance of a mysterious woman (Maria Schneider), he finds a kindred spirit -- a woman as 'lost' as he. ~ Hal Erickson, Rovi •. The Passenger is a superbly executed piece of nihilism, featuring a pre-Bucket List pre-wacky Jack Nicholson. His uninhibited, organic and quietly angry performance reminds us why he was the poster child of the 70's anti-hero movement that changed movies forever, before they changed back. He is able to make his highly implausible character switch with the dead gun runner completely relatable. His co-star Maria Schneider's spontaneity and honesty still rings resoundingly true more than thirty years later. This film has all the trappings of a mystery thriller on paper, but if you are not familiar with the Antonioni output, and require resolution and closure in your films, this film will disappoint and let you down at every turn. Instead, let it wash over you and start to get comfortable with ambiguity and randomness, as we all need to do in our lives. Ambiguity and randomness are Antonioni's big theme, running through all his films. The Passenger's selling points are the rich Spanish and African locations, shot in an objective and unromantic style, and the true and honest acting of its two leads. It's very long, but that's part of its beauty. The supporting plot points, including that of the quest of Nicholson's boss and wife to find him, do not add much to the film, especially when you realize how irrelevant they are to the final impact of the film. They seem to be Antonioni's device to suck us into getting caught up in a chase film, only to have our finely honed film going expectations utterly shattered on those craggy Spanish rocks. The long seven minute single shot that nearly ends the film (there's a quick shot afterwards) is quietly tragic and will haunt most viewers for all of their film going days. I re-screened the film after 20 years and it has never left me. ½ This is basically the type of film that only film professors like, it seems. It's not bad, but definitely not for everyone. Maybe I could have gotten into it more had it been a little less slow. I mena, it is a 70s nicholson film, so it definitely has that going for it. The concept is intriguing, but it would have been better with a little more developed plot. I liked the camera work, but the graininess of the film stock kind of bugged me. Like others, I'm floored by the second to last shot: a 7 minute long take/tracking shot that, even though I read how they pulled it off, still blows my mind. See it if you're curious, but I wouldn't really force this upon anyone. It had some good ideas, but just couldn't have been done in a less pretentious and more accessible manner. There is an argument put forward by film theorists that today's audiences are incapable of appreciating older films. The saturation of our culture with music videos and the internet creates a natural impatience, which carries over into cinema through increasingly rapid editing and flashier cinematography. This causes the simplification of imagery and the symbols which lie behind them, and the whole process begins feeding on itself until we are all infantilised. Notwithstanding its inherent arrogance towards the cinema-going public, this theory is flawed because it is based upon a nostalgic assumption about older films. Contrary to its assumptions, potentially great films are often reduced to being merely good or very good, not by shortcomings in their audience but in the difficult attitude they take towards presenting their ideas. The Passenger is a typical example, being a revered classic which is indeed very good, but whose flaws are easy to acknowledge and prevent it from ever being great. The Passenger is Michelangelo Antonioni's third and final feature in the English language, the others being Blow-Up and Zabriskie Point. Like many of his films, it explores the issue of alienation, specifically of characters feeling isolated and out of place in the world around them. But where Zabriskie Point attempts this analysis with an entire generation, embodied by the two students who make love in the desert, The Passenger is a lot more focussed, more personal and ultimately more successful. The film explores the extent to which a single act or idea can alter an individual's life, using the trading of identities as a means to explore existential disillusionment. When we first meet David Locke, expertly played by Jack Nicholson, he is bored of his life, bored of his work and desperate to escape to somewhere where no-one can find him. He trades identities with the dead man in the next room believing that he can start his life over, without any baggage or responsibilities: for once he can live the way he wants, for as long as he wants. Having taken on this mantle, and changed from Locke to Robertson, our leading man quickly finds himself in dangerous circumstances worthy of any thriller. The scene in the church, in which Nicholson bluffs his way through a meeting with the men he is supplying with arms, is reminiscent of Richard Hannay during the political meeting in The 39 Steps. Both characters have to think on their feet to convince the world that they are someone else, making all decisions and giving all answers based purely on impulse and guesswork. But unlike John Buchan's novel, or any of the film versions that followed, the thrills in The Passenger are much more internalised. There is a thriller-like plot, both in Locke's new identity as a gun runner and in the efforts of his director and wife to track him down. But these elements have to take equal billing to the existential thrust of the film, which is interested in identity and the internalised conflicts of the central character. The film manages to balance the two very well, giving us enough moments of jeopardy and near-misses to keep the less patient among us interested. The central idea of The Passenger is that all men (and possibly women) are bound by the same doubts, fears and anxieties. Assuming a new identity is not a feasible means to escape from oneself, no matter how methodically one goes about it. On the one hand, 'Robertson' finds himself bound to supply guns which he cannot possibly deliver; the second he takes the down-payment in the church, he becomes a wanted man. On the other hand, elements of Locke in his previous life begin to encroach, as his initial enthusiasm begins to give way to melancholy, cynicism, and finally an all-encompassing sense of futility. The key scene in The Passenger comes in the last ten minutes, where Locke and The Girl are in hiding in a hotel, knowing full well that the former will soon be killed. Locke relates a story of a blind man who regains his sight: the man was initially elated, but this vision exposed him to the horrors of the world which he could previously only imagine, and he ended up a recluse who committed suicide. This is the nub of the film: what seems like a chance to escape the world and see it with new eyes only leads to greater suffering. Ultimately all we can do is accept our status as passengers, unable to influence the mechanics of this world and fully mindful that whatever we do, death will always catch up with us. This outlook is furthered by Antonioni's direction, which highlights how small and helpless the characters are. Whether they are crawling through the desert or in the busy streets of an inner city, the central characters are presented from a distance, insignificant in the face of all around them. Even in its most romantic moment, when it appears that Locke and the girl have made love, the camera keeps its distance, peering through the doorway when other directors would have taken us up close and personal. The film is beautifully shot with washed-out colours and a series of interesting camera angle. The most famous of these is the penultimate scene, a seven-minute tracking shot which is both a technical showcase (predating the Steadicam) and a poetic means to bring the story to a close. As Locke lights up a cigarette and lies down on the bed, the camera moves slowly forward through the bars of the window, out into the square, follows the movements of several characters before turning around and drifting back in to find Locke dead. This is Locke's soul taking flight, finally escaping from this world into something new, and taking one last look at what he is leaving behind. For all its virtues, The Passenger is not without its faults. Even to those familiar with Antonioni's style, or more general trends in European filmmaking, the film is very, very slow and around half an hour too long. Because the emphasis is so much on emotion rather than plot, its story could have been handled in 90 minutes without losing any impact, whether visually or emotionally. Antonioni's languorous shooting style with long slow takes and almost no soundtrack can seem pretentious on occasion, albeit not so much that we lose all interest in what is happening. The other problem with The Passenger is the sense of distance involved. Just as, in the words of David Lynch, the artist needn't suffer to show suffering, so the audience shouldn't necessary be alienated during a film about alienation. Like the work of Tom Kalin, The Passenger keeps its audience at arms' length, not out of coyness about its subject matter, but because that seems the natural way to tell the story. And as with Swoon or Savage Grace, this decision may be the right one, but it makes connecting with the characters more difficult, putting the entire story in jeopardy. The Passenger is an intriguing and haunting work whose influence on modern cinema continues, as seen by its substantial presence in Anton Corbijn's The American. Jack Nicholson is on good form, albeit not quite as good as in Chinatown, and the film is recommended viewing for anyone interested in European cinema. For all its faults and bits that drag, there is a slow-burning profundity to it, which keeps it an enticing and memorable experience for generations to come. Din 26 ianuarie 2018 in cinematografe. Finalul epic al seriei Maze Runner, Thomas conduce grupul sau din Luminis in ultima si cea mai periculoasa misiune de pana acum. Pentru a-si salva prietenii ei trebuie sa intre in Ultimul Oras, un labirint controlat de RAU care se dovedeste a fi cel mai periculos dintre toate. Oricine scapa cu viata va obtine raspunsuri la intrebarile pe care cei din Luminis le-au pus inca de la inceput. In curand in cinematografe Regizor: Wes Ball Producatori: Ellen Goldsmith-Vein, Wyck Godfrey, Marty Bowen, Lee Stollman Distributie: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Giancarlo Esposito, Aidan Gillen, Ki Hong Lee, Barry Pepper, Will Poulter, Patricia Clarkson. Maze Runner: The Death Cure - Labirintul: Tratament letal. Distributie Thomas Brodie-Sangster, Dylan O'Brien, Kaya Scodelario, Walton Goggins, Rosa Salazar. Oct 10, 2011 Tratament letal has 266,111 ratings and 20,397 reviews. Saniya said: This book was- *wait a moment*Let me bang my head until the author proves that th. El Pasajero (“The Passenger” in English) is a short film about a taxi cab driver and his passenger, simply put. It starts off with the driver picking up a man on streets, but then it suddenly involves a gun, drinking, and salsa dancing. There are also some conversations happening along the way, and a budding friendship is set to bloom here, too. This short film was actually eligible for an Academy Award in 2010. It can get a little crazy here and there (desperate men and their desperate measures, I suppose), but it is definitely touching. Salsa dancing also never looked more fun. (The film can be viewed with or without English subtitles, so take your pick. Here’s another. Or how about this other?). Alien: El Octavo Pasajero DVDRip Latino De regreso a la Tierra, la nave de carga Nostromo interrumpe su viaje y despierta a sus siete tripulantes. El Ultimo Pasajero es la historia de Thriller realizada por el director Omid Nooshin publicada el 8 de Mayo de 2013 con una puntuacion de 5.6 en IMDb sobre 10 puntos. |
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